The Concert 77 system is a UHF wireless solution ideal for what we do. UHF means Ultra High Frequency, which translates to crystal clear operation with no interference, traditionally available on only the most expensive systems. Let's hope the UHF changes won't dog this thing.
My Concert 77 system is configured with the new HT7 handheld transmitter.

Over all, I have no complaints and have had people say this thing sounds better than their several thousand dollar wireless systems.

The Virtualizer Pro is the newest thing I have so we'll see how it does. First off, it features 71 impressive effect algorithms, giving a powerful modulation, amp simulation, distortion, and special effects as well as effective dynamic and psychoacoustics processing and equalization on top of the renowned wave-adaptive Virtual Room reverb algorithms.
So far, so good with the sound. Most would cringe at the thought of using Behringer gear but it's proving itself to be a pretty sweet addition.

Shure's first entry into personal monitoring, the PSM®600 continues to be recognized as the industry standard for full-featured wired and wireless in-ear systems. Rugged and reliable, they deliver superb sound for all professional broadcast, recording, touring and installed sound applications.

The PSM 600 features crystal-controlled analog operation for superior sound quality. It delivers a full frequency range and great stereo separation. Even the deepest bass notes come through loud and clear.

There is nothing better than being wireless and having killer sound.
I am in love with this piece of gear!
 

The Korg Triton is a music workstation synthesizer featuring digital sampling and sequencing created by Korg.
All Tritons use Korg's HI Synthesis tone generator. They are available in several models and various upgrade configurations. The one I use is a fairly base model but that is plenty! The Triton is world famous among many musicians for being the benchmark of keyboard technology, and is widely featured in music videos and live concerts.

This has been an amazing keyboard and I have loved working with it. Sadly, it may be getting close to time for the search into the next new keyboard in my arsenal.

The Korg X5D is basically the same as the regular X5 (if you know what an X5 is) - with some added bells and whistles. It's an older keyboard but a good one. The polyphony is surprisingly deep and it has some really nice, full sounds. Unfortunately, it has some sounds that truly date it as well.

I like to call this board my little Tonka toy. It gets thrown around and beat up on a regular basis but it keeps on going. Tough little guy.

The Ernie Ball Stereo Volume Pedal (also can be used as a Pan Pedal) is the best volume pedal on the market in my opinion. There is also a mono version, but this thing is the best. It's very durable and has a smooth movement that seems very natural.
 
 

The Whirlwind IMP 2 Direct Box is built rugged on the inside and outside.
This is the world famous DI found in pro systems everywhere. The IMP 2 converts a line or instrument level unbalanced signal to a low impedance mic level balanced signal. On top of being tough as nails and having Superior clarity, these DI boxes have the added benefit of a ground lift for that pesky hum from a dirty ground. I use 2 of these for the sterio outs on my keyboards.

The Ultimate DX-48B Deltex II Keyboard Stand is a super high quality stand! I've hammered on this thing for years and the only problems I've had are a few scratches. It will hold up to 100 lbs. (50 lbs per tier) and has a total height of 45". Legs and arms detach easily and it goes together in seconds.

I have several different types of cables. Some bought and some are actually home made. My hope is to get into a full set of Monster Cables for everything. Monster are, by far, a cut above the rest and their signal can't be beat.